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Watch Grindhouse Presents, Death Proof – Extended and Unrated Movie Online.
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Just giving a heads, one of the things i wanted to know is if the erroneous movie trailers would be on the dvd, so once i found out on Movieweb I figured I’d pass it along, nor will they be on the Planet Scare dvd. I was looking forward to Eli Roth’s false trailer for the fear film Thanksgiving.
I personally don’t mind that there not being released together and am looking forward to purchasing both movies, although obviously it would be nice to earn both together.
Buy,Download, Or Stream Grindhouse Presents, Death Proof – Extended and Unrated! Click Here
Death Proof is one of the best of 2007 so far. It is another frigid, unusual and stylish film from Quentin Tarantino. A outrageous between a slasher movie where a car is feeble in residence of a knife and an action movie with a scamper scene that would rival The French Connection.
Keep an survey on Vanessa Ferlito the actress that plays butterfly, look for the lap dance scene. She has a accurate current inspect. Also Zoe Bell the stuntwoman in steady life who worked on the Tarantino’s End Bill movies, who now is making her acting debut as what else, a abominable blank stuntwoman, and she does her occupy stunts, she performs one, if not the best car budge scene I’ve seen in a movie.
Special features:
Buy,Download, Or Stream Grindhouse Presents, Death Proof – Extended and Unrated! Click Here
*) Never-before-seen footage including the “missing reel” (containing Vanessa Ferlito’s unseen lap-dance sequence) as well as a black-and-white segment in the film’s second act
*) Finding Quentin’s Gals featurette
*) The Guys of Death Proof featurette
*) Kurt Russell as Stuntman Mike featurette
*) Introducing Zoe Bell featurette
*) Quentin’s Greatest Collaborator: Editor Sally Menke featurette
*) Trailer for Double Dare
*) International poster gallery
First, a word about this childish boycott. “Grindhouse” gave us two smart genre films for the sign of one in the theaters. It was a once in a lifetime experience for most of us and a chance to glance the two most bada$* directors in Hollywood give us 3+ hours of hardcore horror/exploitation entertainment including the funniest faux-trailers you’re likely to ever perceive (or not watch if you missed it) . And it bombed. Colossal time. Why? Because sluggish America said it’d wait for the DVD because both films together were too long and they lost the chance to benefit a truly vivid view and present that we are sick and tired of cardboard cutout PG-13 teen dread and dreadful remakes of beloved cult classics. They went to scrutinize “Disturbia” instead. “Grindhouse” was what honest scare fans -hell, what all proper film fanatics- have been dying for and shame on all of you who missed it. So the studio took a loss for taking a chance on this conception and as a result, they’ve split the two films up with extra scenes that were gash for time and are giving us these two films as we haven’t yet seen them, each in double-disc editions packed with extras. Awesome, factual? Weeeeeellllll, now the same whiners who stiffed the films in the theaters are indignant they missed out and want both films on one DVD (as if there’d even be room) for a discount ticket. Sorry, but it don’t work that draw. The theatrical slash was packaged as objective that, an experience for the theaters simulating the double-feature drive-in days of passe. Even if that experience would translate to DVD, why would the company re-release it in the same build that already failed miserably? The bottom line is this: we now have another chance to indicate that THIS is what we as fear fans want to search for and the only arrangement to do that is to rob these great-looking DVDs. The idea that making the films bomb yet again on DVD is going to lead to some super-duper deluxe theatrical edition must have been conceived in the mind of a five year weak on crack. If we don’t wait on these editions, these films will die and the studio will kill no more money on this failed project or any like it in the future. This is basic business sense. Attend legal dread and other genre films and boycott crappy remakes and bloated sequels *cough*Spiderman3*cough* instead. YOu know you’ll double-dip on those.
“Death Proof” was Quentin Tarantino’s half of the “Grindhouse” experience. It’s a film of radiant originality that switches gears between genres seamlessly and, in apt Tarantino fashion, pays tribute to it’s influences all the design going so far as to name the films it strives to emulate. “Planet Horror”, Robert Rodriguez’s zombie-heavy gorefest that served as the other half of “Grindhouse”, captured the spirit of exploitation cinema by being over-the-top and comic, but “Death Proof” pays homage to it while building a more subtle, character-driven masterpiece. Kurt Russell plays an broken-down stunt driver with a car built so that the driver can not be killed no matter how terrible he crashes (death proof, recognize? ) . Well, the guy is a bit of a misogynistic bastard (and a wuss at that) and he gets his jollies by murdering young, ravishing women, possibly as a diagram of getting befriend at a world that doesn’t allotment his enthusiasm for -or even a vague awareness of- the carphilic genre films that compose up his very existence. His weapon of choice? His stunt car, of course. They shatter, he lives, they die. There is an astounding scene where a break with a car tubby of girls is replayed over-and-over, each explain focusing on a different girl and her particular gory demise. Astounding. The girls are all well fleshed-out as characters with lives and personalities of their beget and you objective don’t know who will live and die. You cheer when they live, you gasp (and then cheer at the design it was filmed) when they die; a win-win region.
Rose McGownan is indeed the grindhouse queen as she co-stars in both films and steals the display in every scene she appears in. Real-life stuntwoman Zoe Bell makes her acting debut and proves an impossibly endearing on-screen presence who shall henceforth be known as Spiderwoman to me after her astonishing stuntwork here. Rosario Dawson charms as always and the rest of the cast is beyond solid as well.
The last twenty minutes of “Death Proof” are among the greatest of any film I’ve ever seen. Edge of your seat barely begins to record the hotfoot sequences and the finale had me literally applauding in the theater as I laughed myself amusing. You will not look the ending coming unless you’ve observe or heard about it already. The rest of the film is splattered with homages and references to classic drive-in fare, funny and profane dialogue, fear cliches (horny + stoned + female = splat!), and more QT goodness.
This extended lop features the disagreeable “reel missing” scene featuring a very sexy lapdance and more of the film’s awesome music. There is also a black-and-white sequence where Russell and Dawson indulge in Tarantino’s creepy foot fetish and a hilarious convenience store scene which stars the almost undrinkable “Broad Red” soda in damn approach every shot. I laughed harder every time the camera focused on the offending soft drink. The special features are impressive; the highlight for me was watching goretastic awe director Eli Roth plead with Kurt Russell in-between takes where Roth’s character had to diss the anxiety record.
Buy this film, prefer “Planet Horror” (there is a $5 off coupon for it included here if that helps), and wave your copies at the moron down the street who’s boycotting because this is intellectual filmmaking and denying yourself this kind of entertainment over sour grapes is self-punishment.
“Hey Ladies….. THAT was fun!”
