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MGM released a DVD edition of “The Noble, the Abominable and the Horrid” in the slack 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone’s Western anecdote the double-disc special edition it deserves. The print is restored and as distinct as I’ve ever seen it, the sound is now an extraordinary 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian novel have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.
The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The Recent York Times said of it: “the most expensive, pious, and repellent movie in the history of its uncommon genre. There is scarcely a moment’s respite from the distress.” It’s incredible how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European scheme. Now the film is considered a classic, and only Sergio Leone’s beget “Once Upon a Time in the West” (another sizable 2 DVD spot, by the device) has more respect in the genre. Leone’s uncommon style — stretched out time, obsession with close-ups and improper wide-shots, focus on rituals, and employ of Morricone’s wild and avant-garde gather — are all in bulky force in this narrative of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable ‘hero’ Blondie (Clint Eastwood), the crazy droll bandit Tuco (Eli Wallach), and the calculating base sadist Angel Eyes (Lee Van Cleef) inappropriate each other’s paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It’s a strangely emotionally affecting describe despite its focus on three men who are calm from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of “greatest hits.” Most extraordinary of all is “The Ecstasy of Gold” sequence where Tuco dashes madly through a cemetery, looking for the grave that might enjoy the gold. Morricone’s music here is especially overwhelming.
Chances are you’ve seen the film and appreciate it. What about the recent scenes and the extras?
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Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won’t be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to support him hasten Blondie; Blondie and Angel Eyes having a face-to-face when they first situation out together to fetch the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their believe voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn’t imagine someone else imitating their voices — it couldn’t have been done any other contrivance. Prescott is stunning agreeable as Angel Eyes, if a bit more gravelly.
The extras…
Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood’s biography and also did commentary on Leone’s “Once Upon a Time in America” DVD. His comments can be resplendent dry, and he focuses mostly on Leone’s style and techniques instead of on background information on the filming itself. Nonetheless, there are many bright insights, and Shickel manages to say a lot during the three-hour running time.
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Most of the extras are on Disc 2:
“Leone’s West” — A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There’s some very bright info and memories here, mostly from Knox and the two actors.
“The Leone Style” — A 23-minute documentary, really objective an extension of the first one. It spends more time on Leone’s new techniques. The same interviewees appear here.
“The Man Who Lost the Civil War” — A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an essential insight into the world of Blondie, Tuco, and Angel Eyes.
“Reconstructing The Fine, the Poor and the Hideous” — An 11 exiguous survey into the painstaking work keen with fixing the characterize and sound, restoring the prick scenes, and re-dubbing it.
“Il Maestro: Ennio Morricone” — 8 minutes; mostly an interview with music scholar John Burlingame about the film’s come by. At the waste of the feature, you can resolve to listen to an audio-only twelve-minute lecture by Burlingame that provides a noteworthy more in-depth analysis of the music.
“Deleted Scenes” — Two scenes couldn’t go support into the film. The extended torture scene had a damaged negative, so here it is in its rougher station. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.
Finally, there’s a gallery of posters, the novel trailer, and MGM tossing in some gratuitous advertising for their other films.
Don’t miss this DVD. Not only is it one of the large action films and one the tremendous westerns, but it’s the kind of release that the DVD format was invented for!
“The Suited, the Poor and the Repulsive” is Sergio Leone’s anecdote masterpiece. While it is fragment of his Spaghetti Western Trilogy( all three films have different characters and plots), the film stands on its gain and really shows you how safe a movie can really be. This movie has it all. It has action, drama and even some funny relief in it. It is a timeless classic that is unforgettable. When I first saw it, I was a small kid and couldn’t truly enjoy it as I can now at age 22.
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Blondie (The Man with No Name) isn’t your typical top-notch guy. He mainly does things that suits his bear agenda. However, when compared to the murderous Angel Eyes and the greedy Tuco, Blondie is a saint. This account involves bloodshed, shoot-outs, search for like, and double-crossing. And it all takes set while the Civil War is going on, which makes things a lot more “titillating” for the noted three. The West has never been wilder or more unpredictable than it is now. With an astounding pick up, suited acting, and wonderful story-telling, this is one memorable film that you will never forget.
As I said in the beginning, the first time I saw this was when I was a dinky kid. When I impartial recently purchased this unusual edition of the movie, it truly was like I was watching it for the first time. Coming from a guy who isn’t a great fan of Westerns (I don’t mind them, but I don’t peep too many of them), I absolutely LOVED this film. In fact, I wanted to give it a standing ovation when it was all said and done due to how moved I was by it. This really is filmmaking at its finest. I wasn’t terribly impressed with Leone’s “Once Upon a Time in America,” but he is absolutely flawless with this fantastic and timeless Western. It is slower than the second film (”For a Few Dollars More”), but I deem that makes this all the better. The effect up of tension is powerful more expose in this film, and you really accumulate the sense that these characters are exact people. Clint Eastwood, Lee Van Cleef and Eli Wallach are shiny in their roles, and a lot of props need to go to Lee Van Cleef as he is absolutely chilling in his role.
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This unique edition really does the film the justice it deserves. The film has been restored to the director’s current vision as distinguished as possible, giving you an extra 18 minutes. You will glance the added scenes as the voices have been re-dubbed (the first time you will explore this will throw you, as I believe that specific piece has the worst re-dubbing, but the other added scenes are done a lot better, even if you calm study it) . The portray looks improbable and the sound is enormous. Extras included are commentary from Richard Schickel, a couple of documentaries and featurettes, poster gallery, deleted scenes and the current theatrical trailer. Along with the nice packaging, you collect an 8-page booklet that includes pictures from the film along with Roger Ebert’s most unique review of the film. And, you glean some mini-posters included inside the packaging as well. A respectable edition of the movie, without inquire.
“The Excellent, the Unpleasant and the Frightening” is a pure triumph in filmmaking and should be seen by everybody at least once. Don’t let the fact that this is a Western throw you. I reflect this can be enjoyed by everybody, and even by those who are not vast fans of Westerns. A film filled with authentic emotion and action, this is one that shouldn’t be missed by anyone. I Cherish this movie, and I cannot roar that enough. -Michael Crane
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