Lionsgate has announced a current DVD release of High Noon with modern special features. There is what appears to be a advantageous represent, though unconfirmed, that it will include a fresh transfer of the film, restored by Paramount. The recent and older DVDs are only of average video and audio quality.
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This a moral classic, combining frail Western themes with contemporary concerns about well-liked acquiescence to bad, done in a bewitching, modern (nearly real-time) scheme, with huge actors.
Town marshal Will Kane (Gary Cooper) is caught between his fresh pacifist Quaker wife Amy (Grace Kelly) and a felt duty to face down scandalous men coming on the noon impart to recall revenge on him (and presumably cause whatever other anxiety they please) . Most of the drama takes state in the lead-up to a climactic battle, as the townspeople resolve whether to attend Kane with action or to let him stand alone. Amy too must decide between her spouse and her possess proper beliefs. The tension builds relentlessly as we explore clocks ticking towards noon. The innovative unlit and white cinematography emphasizes the dramatic points, while the internal drama is captured in Cooper’s face.
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The novel DVD features are these:
– “Inside High Noon,” a 50-minute documentary on the making of the film (gaze below for more on this)
– “Tex Ritter: A Visit to Carthage, Texas,” on the Tex Ritter Museum
– the chunky performance of “Do Not Forsake Me, Oh My Darlin’” from the Jimmy Dean TV Show
The features carried over from the new release are:
– commentary with Gary Cooper’s daughter Maria Cooper Janis, screenwriter Carl Foreman’s son Jonathan Foreman, director Fred Zinneman’s son Tim Zinnemann and Tex Ritter’s son John Ritter
– “The Making of High Noon” featurette
– “Gradual High Noon” featurette
– radio broadcast with Tex Ritter
Whether the novel features will warrant an upgrade is a matter of personal preference, of course. A 50-minute documentary could be quite appealing, if it’s well done.
It does sound tantalizing. The “unique” documentary, actually made a couple years ago but shelved until now, is by film and Gary Cooper expert John Mulholland. It’s expected to screen, among other things, the conflict between Cooper and John Wayne over the participation of the blacklisted screenwriter Carl Foreman. Given that the film is intended in section as an allegory of the public’s acquiescence in the Red Dismay, this will have more than the usual gossipy behind-the-scenes relevance. It includes interviews with three of the children of the principles who participated in the DVD audio commentary: Cooper’s daughter Maria, director Zinneman’s son Tim, and Foreman’s son Jonathan. There are also interviews with Grace Kelly’s son Prince Albert of Monaco, Western and film historians Brian Garfield, Lee Clark Mitchell, Stephen Prince and Meir Ribalow, and High Noon fan President Bill Clinton. The narration is by actor Frank Langella.
Lack of agreement between Paramount and Lionsgate prevented the earlier release of a restored transfer and the documentary, in case you’re wondering why this didn’t near out before.
(Amazon has a habit of removing or not even accepting outside links, but if you want to read more about this, some of the more enchanting tidbits are from a discussion at hometheaterforum. Fair do a web search for “high noon” plus “ultimate collector’s edition” or “inside high noon” and such keywords to accumulate the links–easy to obtain.)
A parting stamp on the ethical side of the film. While everyone can relish the strength of Cooper’s character and the disagreement to the weakness of others, which is no doubt the intended fair focus, we can wonder why the seemingly parallel choices facing Will and Amy are treated differently, with one portrayed heroically for choosing perceived broader duty over duty to spouse, while the other is seemingly common in doing the opposite (those who have seen the movie will be able to leer how that is) . I’m not clear writer Foreman saw that parallel as I assign it here, and maybe there are superb reasons to argue they aren’t really parallel. It could be a statement about the limits of pacifism, or it could be a reflection of other cultural mores that Foreman didn’t demand. Or it could be largely motivated by the need for a distinct kind of ending. I’m not a film historian, so maybe these questions have already been addressed. If so, feel free to leave a comment about it.
High Noon is a classic anecdote of a man who is torn between his duty and esteem. Gary Cooper stars as Will Cain, a sheriff of minute town Hadleyville, NM, who has impartial gotten married to Amy played by Grace Kelly. Amy is a Quaker and in deference to her pacifist beliefs, Will is turning in his badge. But honest as the newlyweds are preparing to leave town for a novel life, Will learns that a criminal, Frank Miller, he do slack bars is being paroled and arriving in town on the 12 noon shriek for a showdown. Tension fills the air as the anticipated showdown draws closer. Amy begs for Will to leave with her, but he knows he can’t urge away. He must pause and defend the town and his honor. Will finds himself alone in the battle as everyone in town, including his deputy sheriff Harvey Pell, played by Lloyd Bridges, have turned away from him. The film is unbiased a itsy-bitsy over 80 minutes long and it unfolds in essentially precise time on the conceal. Director Fred Zinnemann effectively uses clocks to whisper the time ticking away towards the battle. The movie is filled with tension as the showdown draws arrive and Mr. Cooper brilliantly plays his portion for which he won his second Best Actor Oscar. Tex Ritter, John’s father, sings the Oscar winning song, “Don’t Forsake Me” which perfectly captures the essence of the film. High Noon is not only a classic western, but a classic American film.
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