Posts Tagged ‘DVD’

Power, Passion and Glory The True Story of Texas High School Football Discount.

Sunday, September 5th, 2010

Power, Passion and Glory The True Story of Texas High School Football

Power, Passion and Glory The True Story of Texas High School Football Discount.

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Power, Passion and Glory The True Story of Texas High School Football Description:

The bank may have failed, the crops may still be in the field but the only thing that matters on Friday nights is 100 yards long and filled with Power, Passion & Glory. An unprecedented powerful behind the scenes story of the winningest team in the history of Texas hight school football and the controversy surrounding a small towns passion for its team.

  • Amazon Sales Rank: #38664 in DVD
  • Released on: 2005-09-03
  • Rating: PG (Parental Guidance Suggested)
  • Aspect ratio: 1.33:1
  • Formats: Color, Dolby, DVD, Full Screen, NTSC
  • Original language: English
  • Number of discs: 1
  • Running time: 124 minutes

Customer Reviews:

WHERE FOOTBALL IS LIFE!4
Celina, Texas (30 miles north of Dallas) is a small community of about 2,000 people with a big reputation for its high school football program. They were riding the crest of 57 straight victories and 4 state championships in their division, 2A and then lightning struck during the summer before the 2002 season. Their legendary coach, G.A. Moore, resigned, seemingly for no reason, and moved down the road to their biggest rival, Pilot Point, along with 3 of the nine coaches. Their enrollment for the coming school year also put them over the 2A limit by three students and they were bumped up to 3A where they would compete as the smallest school in the division. Can they continue their streak under new coach Butch Ford, who coached under Moore for 25 seasons but had never been a head coach and handle the bigger schools? Narrated by NFL great Pat Summerall, the documentary takes you behind the scenes with the players, coaches, parents and fans as well as highlights from the season. In Texas, football is life, whether the NFL or the smallest communities. As one of the former players summed it up, ‘the season lasts about eleven and half months in Celina”. If you love football, high school sports and small town America, this is for you. It is fun, lots of good football action and a look behind the scenes at the winningest football program in Texas history. Hollywood could not have crafted a better ending to a film. Enjoy!!

A true story5
This is a documentary about a true story of a winning high school football team. The people who made the movie couldn’t have known how it would turn out, and there were some inspiring moments.
If you are a coach or have a son who plays football, you should get this DVD. It’s not a Hollywood production, but it’s real.

Power, Passion and Glory The True Story of Texas High School Football

Great Family Film5
As a mother of two young boys I really do appreciate this movie. It portrays TX high school football in such a positive light, there are no cuss words, sex or unnecessary violence — it truly is a family film. The support that the entire community has for these players and the team is so remarkable-and what an ending!!! More people need to see this great football movie.

No Greater Love for Xbox 360, wii, PSP, PS3, iPod, iPad, iPhone, and Blu Ray Free

Friday, August 6th, 2010

No Greater Love

No Greater Love for Xbox 360, wii, PSP, PS3, iPod, iPad, iPhone, and Blu Ray Free

Jeff and Heather were the “lucky ones.” Best friends from childhood, high school sweethearts, and married by 22, they were inseparable soul mates. Jeff’s world is dramatically rocked when Heather disappears after the birth of their son. Heather shockingly reappears ten years later in the most unusual place.

No Greater Love for Xbox 360, wii, PSP, PS3, iPod, iPad, iPhone, and Blu Ray Free

Reviews:

The power of love5
Can love survive betrayal? A broken marriage? Ten years of separation? Full of drama, laughter, and some exciting plot twists, “No Greater Love” reminds us that “many waters cannot quench love, nor will rivers overflow it” (Song of Solomon 8:7).

The screenplay, sound score, and production quality of the film are all excellent. With one or two exceptions among minor characters, the acting is top notch. Quinn and Bisutti are brilliant in their lead roles and relationship. Best of all, we find a picture of redemption that ascends even beyond the story of one man and one woman to the only One who perfectly characterizes love: Jesus Christ.

It’s difficult to compete with the big budgets and hi tech equipment of Hollywood, but movies like “No Greater Love” show that Christian studios are finally coming of age and making it to the big leagues. How encouraging that the greatest story in the universe – our redemption through Jesus Christ – is finally being told in creative, quality, and winsome ways through modern media.

Amazing Love5
The movie No Great Love is about how amazing love is. The love that a husband has for his wife, the love that a father has for his son, the love that a person has for themselves to seek help from addictions, and best of all is the love that the Lord has for us. My family watched it and we laughed and cried. The Biblical truths, the drama, the romance, and the music in this movie rates a 10! We have been blessed by this movie!

Great movie!5
I saw this movie and was really impressed with the production quality, depth of the plotline and most of all the solid message. Can’t wait to get my copy — I will be quick to share with many couples I know!

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No Greater Love Description:

  • Amazon Sales Rank: #2844 in DVD
  • Brand: LIONS GATE HOME ENT.
  • Released on: 2010-01-19
  • Rating: PG (Parental Guidance Suggested)
  • Aspect ratio: 2.35:1
  • Formats: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
  • Original language: English
  • Subtitled in: English, Spanish
  • Number of discs: 1
  • Running time: 109 minutes


No Greater Love for Xbox 360, wii, PSP, PS3, iPod, iPad, iPhone, and Blu Ray Free

Two and a Half Men: The Complete Fourth Season Streaming

Friday, August 6th, 2010

DVDTwo and a Half Men: The Complete Fourth Season

Two and a Half Men: The Complete Fourth Season Streaming

The Emmy-winning Season Four of TV’s #1 comedy starts with a shock (Alan’s getting divorced…again) and ends with a rock (the diamond Evelyn’s new boyfriend wants to put on her third finger, left hand). In between, Charlie Harper’s hip Malibu beach pad is the place for laughs, gorgeous girls, single parenthood, celebrity neighbors, family and more laughs. Charlie (Charlie Sheen) has a close encounter with his long- deceased dad. Alan (Jon Cryer), after a few resume embellishments, tries online dating. Jake (Angus T. Jones) swaps his Harry Potter posters for the joys of hottie wall art. Join the fun. Share the good life with everyone’s favorite men, men, men, men, manly men, men men.

Two and a Half Men: The Complete Fourth Season Streaming

Customer Reviews:

Two adults. One kid. No grown-ups.5
It’s good to see that Two and a Half Men – The Complete Fourth Season is coming out on DVD, for (in my personal opinion) it’s the best and funniest sitcom series of this decade. As a single father, this viewer can find much to relate to… and laugh about.

For those who haven’t had the pleasure of seeing this top-rated series on TV, it’s about the lives of two brothers, one of the brother’s son, and the many people, especially women, who surround them. When his wimpy younger brother Alan Harper (Jon Crier) becomes separated from his wife and moves out of their house, he has to move in with Charlie, his older brother (played by Charlie Sheen). Alan shares custody of his son Jake (Angus T. Jones), who was 10 when the series began and who stays with them part-time. The “half a man” in the title of this sitcom is in reference to the fact that Jake isn’t an adult yet.

Charlie Harper is a successful bachelor with a house on Malibu Beach, a Mercedes in the garage and an easy way with women. His easygoing, often hedonistic single lifestyle is interrupted when his tightly-wound brother, Alan (a chiropractor), and Alan’s son, Jake , move in with him. Alan’s hung-up ex-wife Judith (Marin Hinkle) frequently makes matters worse, as does the brothers’ narcissistic mother, Evelyn (Holland Taylor), whose wide-ranging sex life is a recurring gag throughout the series. The brothers’ housekeeper Berta (Conchata Ferrell) is unapologetically sarcastic, and often has the best one-liners, trading insults with Charlie referring to Alan as “Zippy.” Their household can’t function without her.

There are a number of other series regulars, but in this viewer’s opinion, Charlie’s wacky neighbor and female stalker Rose (Melanie Lynskey) is one of the best. She has a habit of popping over Charlie’s deck railing and sometimes enter his house at inopportune moments. It’s alluded that she had a one night stand with Charlie shortly before the show started, which she believed to be more significant than he did. Rose’s father Harvey is played by Martin Sheen, and in one episode he asks Charlie of his intentions with his daughter. At one point Harvey meets Charlie and Alan’s mother and has an affair with her, and popping in and stalking her just like his daughter does with Charlie.

It should be said that this series and its actors have won a number of Emmy Awards and nominations. Those who are familiar with it can well understand why. This series is well worth it, and if you do like it, there are other seasons available:

- Two and a Half Men – The Complete First Season

- Two and a Half Men – The Complete Second Season

- Two and a Half Men – The Complete Third Season

And notice that they are all rated at 4+ stars by the reviewers here… my call is that they’re all 5-stars. It’s one of the best sitcom series… ever!

Great series5
This is a terrific series. My husband and I started watching it late in the seasons. Now we are catching up. Immoral behavior? You betcha! We have laughed ourselves silly through every vicarious second of it. We just bought the first dvd series of this show and can’t wait to watch it from the start. I have been watching series 4 in reruns on tv. I don’t know if it is season 4 but my favorite episode is when Charlie becomes the hapless victim and sex slave of a witch’s coven. He is saved by his mother who strikes fear into the coven ending the show perfectly dressed as the Wicked Witch of the West. This is not a show for kids, but adults, especially those with and ex or two, or crazy relatives should love it.

Funny With Hot Girls, What Else Do You Need?5
If you liked the first three seasons you’ll like this one too. More of the same kinds of fun. Sexually suggestive humor and good looking women, sign me up! I thought the kid (Jake/my favorite character) might be getting too old to be as effective, but he still pulls it off for the most part. I think the writers will have to start changing his lines a little in season five. Things that were cute/funny when he was younger might come off as just a rude/disrespectful teenager as he gets older. The only negative so far is I waste too much time watching tv when this is on or in the dvd player.

B0019D151K

Two and a Half Men: The Complete Fourth Season Description:

  • Amazon Sales Rank: #1452 in DVD
  • Brand: Warner Brothers
  • Released on: 2008-09-23
  • Rating: Unrated
  • Aspect ratio: 1.33:1
  • Formats: Box set, Color, DVD, Subtitled, Widescreen, NTSC
  • Original language: English
  • Subtitled in: English
  • Number of discs: 4
  • Running time: 30 minutes

Features

  • ISBN13: 0883929017911
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

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Two and a Half Men: The Complete Fourth Season

Two and a Half Men: The Complete Fourth Season Streaming

Did Doctor Who: Robot Story 75 suck?

Sunday, August 1st, 2010

Did Doctor Who: Robot Story 75 suck?


THERE ARE NO SCARFS IN HAMLET4
There are many firsts in ROBOT – it’s the first turn of Tom Baker as the Doctor, it’s the first Harry Sullivan story, it’s the first time we see the scarf, it’s the fourth Doctor’s first (and second) trip inside the TARDIS (we know the second trip takes us into THE ARK IN SPACE, but, where did the first land the Doctor?), and it may be the first time the Doctor has killed in cold blood… maybe.

ROBOT is everything the Pertwee years were and more. Picking up and dragging the chain that was UNIT, the series doesn’t meddle with the formula too much just yet, but just enough to show us that things have really changed. The pace of this story is fast. Opening like an AVENGERS episode and running like Z CARS, this is a “thief in the night” plot spliced with some COLUMBO detective work which tells you from the title on that a ROBOT is the puppet and then wastes no time in telling us who is pulling its strings. This story zips, and had their been another actor other than Tom Baker in the role, then it may have tripped and fallen on its face as well. As it is, Baker is just as fast as the material and, even from the get go, wasn’t scared to pull at his scarf and have fun with the story and us. Watching him and the story, you can’t help but just get a sense of how effortless he made it all seem. ROBOT fires on every level here. The cast is top notch, old hat, yet still fresh, which is something of a surprise as the entire set up had been inherited from the Pertwee years. But you can’t deny that the Baker/Sladen/Marter trio clicked right from the start.

The story itself borrows heavily from so many sources that when yout tie all the threads together it creates quite the blanket, but there is one thing different in ROBOT than most all other DOCTOR WHO stories – and its in the fact that the Doctor kills the “monster” here without a second thought. Granted, the robot was just that, and when you look back at the story, every time the Doctor encounters the robot, it’s hostile, but I find it difficult to accept that the Doctor pays no heed to Sarah’s observation and pleas of its “humanity” as the Doctor had often pleaded just the same case with the Brig time and again. Instead of reason, the Doctor rushed headlong into destruction and does so with glee. It’s an unsettling moment at the end as what could have been the birth of a whole new form of life is reduced to rust, ash and then nothing.

As usual 2 ENTERAIN has gone out of their way to provide a host of extras. Commentary with Baker, Sladen, Dicks and Letts (uncredited on the extras listing) is casual, comfortable and often very funny. As always, Baker and Sladen demonstrate again why they made such a good team, while Dicks and Letts fill in as much production backstory as they can remember. The documentary follows the lead of all those that have come before it. It’s a concise look at the shift change from Pertwee to Baker with some repeat from the commentary, but more face time with everyone involved. It’s good, but won’t knock your socks off. The review of the creation of the TUNNEL EFFECT is technical, but an interesting look at what would become DOCTOR WHO’s most famous opening credit sequence and logo.

Text commentary is included and detailed and worth the time, but, have your remote handy and trigger finger on PAUSE as some of the passages are long, and flip by in under a two seconds or less.

It was smart marketing to release ROBOT shortly after the release of the NEW BEGINNINGS box set which featured Baker’s last story LOGOPOLIS. While there are still many stories to go in the Baker years before it is complete, at least we have the bookends to make us feel safe. ROBOT may not go down as a classic, but it does go down easily and is a lot of fun, and for fans is a must buy.

“You may be a doctor but I’m *the* Doctor.”3
ROBOT is significant for being the first full appearance of Tom Baker in the title role. The story is pretty typical of old-school science fiction: a slightly mad but benevolent scientist has created a robot which has been appropriated by a fringe organization. This group of intellectual supremacists (sort of a fascist MENSA) is using the robot to steal plans and materials for a disintegrator gun and essentially take over the world.

So it’s fairly hokey, and of course it has all the elements longtime fans of the show have come to look upon with affectionate humor, like really bad special effects and dodgy acting. Particularly egregious is the bit where what is clearly a toy tank tries to sneak up on the robot (and fails.) Then there’s Sarah Jane’s curiously subdued reaction to a man being disintegrated right in front of her; she registers a look of mild disgust, as if she had just found some moldy cheese in her refrigerator.

The story has some twists, not all of which make sense. This was also typical of the old show, I think due to its serial nature. (It was probably less important for the story to work as a whole than it was to get people back for next week’s installment.) It also has some contrived aspects (the mad scientist has by chance developed two other scientific breakthroughs, one of which exacerbates the problem and one which solves it) which pretty much telegraph the major plot turns as well. If this story had appeared somewhere else in the series, it would probably be considered average at best.

What saves this particular show, and what probably made it such a breakthrough when it was first aired, is how much Baker absolutely owns the role right from the start. Tom Baker *is* the Doctor. He says that himself, not out of egotism, but because he does actually feel like the character–a man slightly out of place in the human world. No doubt this is why he seems so perfect in the role. It’s easy to see why this incarnation of the Doctor has become the most iconic.

DVD bonus features include:

-A featurette on the man who created the title sequences for the show since its inception in 1963, including the “time tunnel” concept which was used throughout most of the seventies as well as in the new series. It was interesting to see how the various effects were accomplished before the age of computers and digital graphics.

-A featurette on the turnover of the role from Jon Pertwee to Tom Baker and what was involved in it, what it meant for the show, and so on.

-A Blue Peter segment that I couldn’t sit through for more than a minute or so. This bit is for kids only, I’m afraid. I think the only reason it is here is that it was filmed on the Doctor Who set.

-Running audio commentary from Tom Baker, Elisabeth Sladen (Sarah Jane Smith) and writer Terrance Dicks. Even the worst stories have had entertaining commentaries, and this one is especially good because Baker participates. It’s surprising how much these people remember from their work over thirty years ago.

All in all this is a good package for a key (if not great) story. Even if you think the story is kind of lame there is a lot to like.

The start of an era4
Until the launch of the new series three years ago, the biggest name associated with “Doctor Who” was Tom Baker. The fourth Doctor was, to many fans, the definitive Doctor, encompassing everything that was great about the character.

“Robot” is his debut story and serves as the beginnning of a new era and the end of another.

Picking up right where “Planet of the Spiders” left off, “Robot” is a positive delight after the dreary send off to the third Doctor’s era. For three and a third episodes, the story clips along, being little more than reworking on the Frankenstein story only instead of a monster created by humanity, it’s a robot. The robot is being used to steal various components of a disintegrator gun, which is one part of an overall plan to send humanity back to a golden age–one ruled by a cult of scientist who think they know best.

UNIT is called in to investigate and the Brigadier brings along the newly re-generated Doctor to look into things and hopefully solve the mystery.

Like I said, the story works for about three and a third episodes until the robot involved suddenly grows for no apparently good reason and it becomes a bad version of King Kong. This being “Doctor Who” the special effects are kind of a letdown (coupled with the funniest bad effect in history with an obviously plastic tank at the end of episode three). This could be overlooked if the story simply hadn’t run out of things to do and padded things out with a giant robot stomping all over the countryside.

But I’m probably not telling “Who” fans anything they didn’t already know here.

That said, “Robot” is still a lot of fun, despite the short comings of its final episode. It’s fun to watch Tom Baker inherit and instantly inhabit his role as the Doctor. The story spends little time with a post-regenerative Doctor on the sidelines and its stronger for it.

And, as usual, this DVD is packed with extras. Once again, the “Doctor Who” DVDs show why they are the gold-standard by which most other TV shows on DVD releases are judged and found wanting. A documentary on casting Baker and the transition from one production staff to the next is included as well as a fascinating feature on the creation of the iconic opening credits for this era of the show. And then there’s the commentary, featuring Baker himself, companion Elisabeth Sladen, writer Terrance Dicks and producer Barry Letts. Fun, informative and a pleasure to listen to, the commentary is one of the highlights of an impressive set of extras for this story.

Is “Robot” the best Dr Who story ever? No, not really. But it’s still a fun introduction to the Tom Baker era. And this DVD has so many great extras as well as restored picture and sound that it’s a must for anyone who likes “Doctor Who.”

Amazon.com
Tom Baker’s reign as the venerable British science fiction hero Doctor Who began with this four-part serial from 1974-75; it also marked the dawn of what was arguably the most popular period in the program’s history. Written by Terrance Dicks, Robot also introduces the late Ian Marter as the Doctor’s companion-to-be Harry Sullivan, a UNIT medic who is pulled into the adventure after treating the Doctor, who is recovering from his fourth regeneration (third Doctor Jon Pertwee appears briefly at the beginning of the first episode). Meanwhile, Sarah Jane (Elisabeth Sladen) and the Brigadier (Nicholas Courtney) investigate a series of robberies involving a top secret weapons project that seem to have been carried out not by humans, but a colossal object. Could the mysterious “Think Tank” and its robotics division be involved? Robot is a terrific launching point for “The Baker Years”–the star himself is charming and amusing, and the story itself is brisk, involving, and quite suspenseful at times. In short, it’s an excellent point for Who newcomers to introduce themselves to this most well-loved of Doctors.

The single-disc DVD includes commentary by Baker, Sladen, Dicks, and producer Barry Letts, as well as a 40-minute documentary titled “Are Friends Electric?” which recalls the production of Baker’s first serial via interviews with the cast and production team, including producer Phillip Hinchcliffe and director Christopher Barry. “The Tunnel Effect” is a 13-minute interview with graphic designer Bernard Lodge on how he created the memorable “infinite tunnel” titles for the Baker stories, and there’s a clip from the U.K. children’s program Blue Peter, which was broadcast from the set of Robot. The by-now standard photo gallery, production notes, and a PDF of the Radio Times listings round out the extras. –Paul Gaita

Doctor Who: Robot Story 75 Description:

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  • Amazon Sales Rank: #4670 in DVD
  • Brand: Warner Brothers
  • Released on: 2007-08-14
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: Closed-captioned, Color, DVD, Full Screen, NTSC
  • Original language: English
  • Number of discs: 1
  • Dimensions: 1.00 pounds
  • Running time: 98 minutes

Features

  • Mortally wounded by the Spider Queen on Metebilis 3, the Doctor is forced to regenerate. His recuperation is cut short as UNIT investigates a spate of robberies involving components for a top-secret disintegrator gun. The culprit is quickly identified as a highly sophisticated robot built by Professor Kettlewell, which is being ordered to act against its Prime Directive. (Episodes 1-4, 98 mins)Run

Doctor Who: Robot Story 75

Did Doctor Who: Robot Story 75 suck?

Watch Stott Pilates: Sculpt And Tone Online Free

Sunday, August 1st, 2010

Stott Pilates: Sculpt And Tone

Watch Stott Pilates: Sculpt And Tone Online Free

No Description Available.
Genre: How To – Pilates
Rating: NR
Release Date: 1-JAN-2007
Media Type: DVD

Watch Stott Pilates: Sculpt And Tone Online Free

Customer Reviews:

Stott Pilates: Sculpt And Tone Description:

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No Description Available.
Genre: How To – Pilates
Rating: NR
Release Date: 1-JAN-2007
Media Type: DVD

  • Amazon Sales Rank: #137196 in DVD
  • Brand: STOTT PILATES
  • Released on: 2007-01-01
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: Color, DVD, NTSC
  • Original language: English
  • Number of discs: 1
  • Running time: 106 minutes

Watch Stott Pilates: Sculpt And Tone Online Free

The Gnome-Mobile Movie Streaming Free

Sunday, August 1st, 2010

The Gnome-Mobile Movie Streaming Free


ONE OF THE BEST FAMILY MOVIES!5
I accidentally recorded this film on VHS video tape about seventeen years ago from TV and I have taken special care of it ever since. The fact that it is finally being released on DVD is like a dream come true. It’s one of those rare movies that capture the innocence of a bygone era, a time when excellent, feel good, family movies were made. It is with such movies that Disney defined the term family entertainment and that made a whole lot of difference to those of us that grew up with these films. Call it nostalgia if you will but movies are about entertainment and to me entertainment means that you can let yourself go for 90 minutes or so and travel to the faraway places in your imagination where the burdens of everyday life are nonexistent. Any movie that can achieve this is- to me- well worth a place in my collection. The Gnome Mobile is definitely one of those films and I would be a happy man if my son would grow up watching films like TGM rather than all the violent stuff that is so popular among youngsters nowadays.

a Disney childhood favourite4
THE GNOME MOBILE reunites Karen Dotrice and Matthew Garber in their third and final Disney film pairing. Walter Brennan impresses in two roles with fine support from Tom Lowell and Sean McClory.

Elizabeth and Rodney (Karen Dotrice and Matthew Garber) are spending the summer with their tycoon grandfather D.J. Mulrooney (Walter Brennan). Stopping off in the Redwood Forest for a picnic, Elizabeth meets Jasper (Tom Lowell) and Knobbie (Brennan once more), who claim to be the last surviving gnomes.

Promising to help them find more of their own kid, D.J. and the children bundle up Knobbie and Jasper, their destination the Virgin Forest many miles away. A stop at a motel blows their cover and the gnomes are abducted by freak show owner Horatio Quaxton (Sean McClory). The plot thickens when D.J. is thrown into a madhouse!

The story quickly rushes to it’s eventful conclusion with Jasper finding the girl-gnome of his dreams (Cami Sebring).

Too bad the movie’s in full-screen but never mind. Alas the Disney people are doing this with more and more frequency in their back-catalogue titles.

An entertaining tale with the MARY POPPINS kids! Based on the book by Upton Sinclair. With Ed Wynn, Maudie Prickett, Norman Grabowski, Ellen Corby, Susan Flannery and Richard Deacon.

Silly but Fun3
While DJ Mulrooney is picnicking in the woods with his grandchildren, his granddaughter discovers a couple of gnomes living there, who think they are the only gnomes left in the world. JC agrees to help them find other gnomes and all kinds of complications ensue, including stolen gnomes, a stay in and escape from an insane asylum, car chases and a race to catch a “greased” gnome.

The Gnome-Mobile is a typical Disney Film from the `60’s – silly but lots of fun to watch. Walter Brennan is great as both DJ and one of the gnomes, while Karen Dotrice and Matthew Garber (listed in the credits as the kids from Mary Poppins) are okay as his grandchildren. It’s fun spotting the character actors who seem to appear in just about every comedy made in the 60’s including Richard Deacon, Frank Cady, Ellen Corby and Charles Lane. Ed Wynn appears all to briefly as a gnome.

The Gnome-Mobile is a good, fun family film.

The Gnome-Mobile Description:

Purchase The Gnome-Mobile by clicking here!

  • Amazon Sales Rank: #4060 in DVD
  • Brand: BUENA VISTA HOME VIDEO
  • Released on: 2004-03-02
  • Rating: G (General Audience)
  • Aspect ratio: 1.33:1
  • Formats: Color, DVD, NTSC
  • Original language: English
  • Subtitled in: Spanish
  • Number of discs: 1
  • Running time: 84 minutes

Features

  • ISBN13: 0786936233650
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

The Gnome-Mobile

The Gnome-Mobile Movie Streaming Free

Watch Ride with the Devil The Criterion Collection Blu-ray Right Now Free

Sunday, August 1st, 2010

Watch Ride with the Devil The Criterion Collection Blu-ray Right Now Free


“It ain’t right and it ain’t wrong – it just is.”5
Thus reasoned young bushwhacker Jake Roedel, (Tobey Maguire) summing up the condition of his native Missouri, torn apart by savage guerilla warfare, as neighbor fought and killed neighbor during the Civil War. This outstanding movie manages to take much the same attitude as it tells the tale of this troubling period that has usually been handled in a much more partisan manner.
The Civil War in Missouri was particularly terrible, as the loyalties and interests of the population split between the Union and the Confederacy. Few regular troops were committed to Missouri, and most of the fighting was done by roving gangs of Irregulars; Secessionist Bushwhackers and Unionist Jayhawkers. These men more often made war on those who once had been their neighbors and friends than on uniformed troops, and terrible atrocities that were more murder than war were committed by each side.
`Ride with the Devil’ is an incredibly thoughtful and nuanced telling of this sad story. All of the protagonists are bushwhackers, but the movie does not attempt to paint them as pure heroes fighting against evil for all that is good and right. Instead, it manages to show them as young men who had the misfortune to be caught up in the sweep of history and forced into a violent life by unavoidable circumstances. We see the struggle some of them had between the violent actions that had become their life and their own sense of decency, and we see others enthusiastically revel in the murderous mayhem – glad for the excuse the war had given them to be free of the constraints of civilized society. One scene in particular drives home the fact that these warriors were more boys than men. Jake (Maguire) faces his new bride, a young women already widowed by the war (Jewel) in the bedroom on their wedding night. When she asks him if he is a virgin, he blusters that “I’ve seen plenty” and when ask again if he has been with a woman, he seems frozen with terror, and only manages to say, “Girl, I’ve killed fifteen men.” These were boys forced to become killers before many had the chance to be lovers.
Though there were no Unionist protagonists in this film, it used an effective device to put across the humanity of the bushwhacker’s enemies. A captured mailbag was plundered, and letters were read aloud as the bushwhacker’s searched for enemy secrets. The letters turned out to be mundane messages from mothers to sons and brother to brother. The young men heard and acknowledge how like their own mothers and brothers these people sounded, and how in other circumstances they might find them fine people, before someone reminded them that the sons of that mother would kill them, given the chance.
`Ride with the Devil’ is filmed beautifully, and is as close to being cinematically perfect as could be desired. Its scenes of violence are quick, realistic, and brutal, but the film does not dwell on them. Indeed, there are long sequences that deal with nothing but the complex interpersonal relationships of the characters, and action war movie junkies are likely to find `Ride with the Devil’ a disappointment despite its realism. Tobey Maguire is perfectly cast as a shy, decent young man trying to maintain his integrity in a violent life, and Jeffery Wright is outstanding as a freed slave who fights for the bushwhackers out of loyalty to his friend who freed him. All of the roles are well cast and acted, including Jewel in her film debut as a young Confederate widow.
`Ride with the Devil’ is the best done of any Civil War film that I have yet seen. It is beautifully filmed, skillfully acted, intelligently written, and tells its story with fairness and perspective. Unfortunately, its virtues are exceeded by its obscurity, as so many have never heard of it. Now that you know of it, don’t cheat yourself by missing this outstanding film.

Theo Logos

A Heck of a Ride5
This is one of those rare movies where everybody got it right —from the cinematography to the casting; from the musical score to film editing; from costume design to second unit directing this movie is nearly flawless. The directing by Ang Lee (Sense and Sensibility) and the performance by a wonderful ensemble cast put this movie in a league with the great modern frontier movies like The Outlaw Josey Wales and The Long Riders.

Set on the Missouri/Kansas border during the American Civil War, the movie faithfully recreates the story told by Daniel Woodrell in his wonderful novel, Woe To Live On. The book is worth reading for the dialogue alone and the movie is worth watching simply for James Schamus’ magnificent screenplay: But there is much move to love about this movie.

The tapestry upon which the story of Ride With The Devil is painted is a violent one but, apart from some very graphic scenes, is more about human nature than anything else. Indeed, the depth of the violence only adds to the poignancy of the surprisingly frequent gentle scenes that occur in the movie. Tobey Macguire is perfect in the lead role, Jewel gives a surprisingly intuitive performance, and Jefrey Wright almost steals the show with his low-key, but passionate performance as a freed slave riding with a gang of white bushwhackers. Jonathan Rhys-Meyers, Macguire’s nemesis, has a small part but is death himself. (His final confrontation with Macguire is brief and chilling — and encapsulates the entire sense and sensibility of the movie.)

Sadly, this movie will probably go unnoticed by the general public since it seems to have had a limited release in the US and gone almost immediately from the theater to the rental market. Hopefully word-of-mouth will build interest in this truly remarkable American classic. Watch it — but read the book too.

What a ride.5
Civil War epic involving the confused guerilla warfare that happened along the Missouri-Kansas border. We learn that this region wasn’t exactly teeming with regular armies, but rather was the scene of isolated groups waging local war: Confederate sympathizers were “Bushwackers”; Unionists were “Jayhawkers”. *Ride with the Devil* is another brilliant example of the seemingly endless fund of storytelling material about the Civil War that has yet to be fully tapped. With such an advantage, the movie is bound to excite attention. What keeps that attention is the brilliant pacing of the narrative and Ang Lee’s deft direction. These young men on the run, hardened beyond their years, enjoined with a very bad cause to start with, experience loss after loss and yet grow immeasurably within, particularly Tobey Maguire’s Rodell and Jeffrey Wright’s magnificent renegade slave, Holt. (Both Maguire and Wright perform superbly.) I don’t know how Ang Lee pulls it off, but we watch Maguire’s character harden, toughen, and mature most subtly, without fanfare-of-trumpets setpieces that beat us over the head (e.g., Gibson’s *Patriot*.) It’s a shock when, late in the film, Rodell gets a haircut that reveals how young he actually is. Quite simply, I cannot praise this movie enough. How on earth *Ride with the Devil* got so thoroughly snubbed by the industry, audiences, and critics is beyond me. The critics, in particular, took a total bath on this one. Perhaps the world wasn’t quite ready for Ang Lee’s brand of intelligent action pictures. Hopefully, with the groundbreaking success of *Crouching Tiger, Hidden Dragon*, folks will see Mr. Lee’s name on this movie’s DVD box and give it a rent. Hopefully, so will you — you won’t regret it. This movie’s great.

Amazon.com
Great period pictures make you feel as if you’ve stepped into another era, heard its language, breathed its spirit, and come away with a fresh perspective on that time as well as your own. Ride with the Devil is one of those special films–why wasn’t it more widely embraced by reviewers and filmgoers? Did it rely too much on our patience for slow accumulation of unforced rhythms and meanings (as opposed to The Patriot, which “moved” audiences with cattle-prod simplicity and manipulation)? Ride with the Devil–smart, handsome, tenderly awed by how individual lives get ambushed by history–is ripe for rediscovery.

The Civil War of battlefields and plantation houses is nowhere to be seen here. Instead we see the war as an improvised and largely blundering but very bloody feud among neighbors in the border state of Missouri. In this bucolic war zone–more than a little reminiscent of the Balkans in the late 1990s–the Taiwanese-born director Ang Lee (Sense and Sensibility) traces the destinies of several young Southern bushwhackers (guerrilla fighters) as they experience violence, the seasons, and different kinds of love. Skeet Ulrich draws the aristocratic glamour role (and top billing), but he’s overshadowed by Tobey Maguire as a first-generation American, the magnificent Jeffrey Wright (a shameful oversight at Oscar time) as a freed slave fighting beside his former master, and singer Jewel in a very natural acting debut as the young widow who graces all their lives. The title The Birth of a Nation was already taken, but by the end of this movie you feel it would have applied here. – Richard T. Jameson

Ride with the Devil The Criterion Collection Blu-ray Description:

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  • Amazon Sales Rank: #542 in DVD
  • Released on: 2010-04-27
  • Rating: R (Restricted)
  • Aspect ratio: 2.35:1
  • Formats: Color, Special Edition, Widescreen
  • Original language: English
  • Number of discs: 1
  • Running time: 148 minutes

Ride with the Devil The Criterion Collection Blu-ray

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Friday, July 30th, 2010

DVDTetsuo - The Iron Man Special Edition

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Somewhere between nightmare and a techno-fetishist’s ultimate fantasy, this extraordinary film from Shinya Tsukamoto caused a sensation when it was first released, and spawned a companion piece, Tetsuo II: The Body Hammer. Concerning itself with a young man’s gradual mutation into a metal-being, the film takes a surreal journey into a dark and disturbing world where D.I.Y. body transformations and post-human women with deadly robot arms form the fabric of a strange new reality. Likened to the work of Lynch and Cronenberg, Tetsuo molds explosive violence, bizarre sexual imagery and jet-black humor into a cinematic experience like you’ve never seen before.

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Customer Reviews:

New Tartan DVD sounds great, looks terrible!2
The rating is for the lousy transfer of the new Tartan DVD release. TETSUO is one of my top-ten favorite movies of all time. Purchasing this new release represented a quadruple-dip on this title. First was a bootleg vhs tape back in the early 90’s followed by the official Fox-Lorber tape, then the first DVD. The main reason, other than my love for the movie, for buying again was for the new 5.1 sound mix because TETSUO has a great soundtrack. Tartan did a great job with the remix. I love it! It’s really impressive in my home theater. But the image doesn’t live up to the audio, especially projected on my big screen. It looks like they just did a cheap transfer of the PAL master (Tartan is a UK company, I believe) to NTSC because it’s riddled with artifacts like ghosting during fast movements (there’s a lot of that in this film) and the image is very soft and contrasty. The old Fox-Lorber DVD from ‘98 has more image detail, especially in shadows, and none of that ugly ghosting. I assumed that since it’s 2005 now and most DVD companies have kept up with the state of the art, knowing that audiences are more discriminating about audio/video quality, Tartan would live up to our expectations. But, no.
I see that there are several sellers dumping their old discs here at Amazon. I recommend that you just pick up one of those rather than Tartan’s shameless release…

c’mon (saa koi)5
Testsuo: the iron man may be a difficult film for a lot of people. you will probably either love it or think in is trash. this film struck a deeply personaly chord within me, so it is difficult to write about it objectivly. as a teenager i dreamnt of a film shot in gritty black and white that would deal with terrifing and ghostly subjects. this film is it. tsukamoto is a genius for this film. the effects are low buget to the max, but when is the last time your nightmare had a big effects buget? the film actually follows a plot line somewhat resembling a Noh play, except very convoluted; the man runs the fetishist over with his car, and then has sex with his girlfriend in frount of the fetishist’s broken body. because of this sexual arousal in the presense of machine induced death, the man is cursed with his sexual/physical merging with the machiene realm. the fetishist wants revenge. the visual effect of the film is beyond incredible, and the music is perfect. very few films incorporate music into the visuals as fundamentally as this one (bergman’s Persona and otomo’s AKIRA are also great examples). this film implanted itself into my brain like a shard of metal. keep an open mind when you watch this film, and don’t jump to conclusions and judgements. if you can withstand the films attack, you will find it to be truly beautiful and rewarding.

A completely unique experience!4
Tetsuo is not for anyone that’s the least bit squeamish. For the rest of us, it is an absolute wild ride. The movie is black-and-white, hyperkinetic, and totally unique. The story makes only some sense, but it is the visuals and music that work here.

Shinyo Tsukamoto uses fast cuts, weird camera angles, and the black-and-white film to great advantage in Tetsuo. Every frame is overloaded with detail, and the metallization of people in the movie is more a weird combination of tubes, wires, and cables than anything else. Visually, this movie is unique, and Chu Ishikawa’s soundtrack fits it perfectly. You will just sit there, and say something like: whoa, what the heck is going on!!

Tetsuo II is completely different; hard to believe Tsukamoto also directed it. It is worth seeing only to fill in some of the holes the first movie leaves in the story. But unfortunately, the hyperkinetics and great visuals are completely gone.

I did not give Tetsuo 5 stars because of an overly graphic section about midway through the movie; it is a humorous section initially (you’ll know what I’m talking about when you see it), but Tsukamoto takes it too far. Otherwise, Tetsuo is a great movie.

B0009GV9FK

Amazon.com
Shinya Tsukamoto draws on the marriage of flesh and technology that inspires so much of David Cronenberg’s work and then twists it into a manga-influenced cyberpunk vision. A man (Tomoroh Taguchi) awakens from a nightmare in which his body is helplessly fusing with the metal objects around him, only to find it happening to him in real life… or is it? Haunted by memories of a hit and run (eerily prophetic of Cronenberg’s Crash), the man knows this ordeal could be a dream, a fantastic form of divine retribution, or perhaps technological mutation born of guilt and rage. Shot in bracing black and white on a small budget, Tsukamoto puts a demented conceptual twist on good old-fashioned stop-motion effects and simple wire work, giving his film the surreal quality of a waking dream with a psychosexual edge (resulting in the film’s most disturbing scene). The story ultimately takes on an abstract quality enhanced by the grungy look and increasingly wild images as they take to the streets in a mad chase of technological speed demons. This first entry in his self-titled “Regular Sized Monster Series” is followed by a full-color sequel, Tetsuo II: The Body Hammer, which trades the muddy experimental atmosphere for a big-budget sheen but can’t top the cybershock to the system this movie packs. –Sean Axmaker

Tetsuo – The Iron Man Special Edition Description:

  • Amazon Sales Rank: #80326 in DVD
  • Released on: 2005-07-19
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: AC-3, Closed-captioned, Color, Dolby, DTS Surround Sound, DVD, Subtitled, NTSC
  • Original language: Japanese
  • Subtitled in: English
  • Number of discs: 1
  • Running time: 67 minutes

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Tetsuo - The Iron Man Special Edition

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Stream The West Wing: The Complete Series Collection Online Free

Thursday, July 29th, 2010

The West Wing: The Complete Series Collection

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The West Wing: The Complete Series Collection Description:

The West Wing ventured where no other TV series had gone before: an extraordinarily intimate look at an American President and the inner workings of the White House. Experience all the crises, triumphs, lofty idealism and hard realities of the acclaimed series in this complete seven-season DVD set. Here, on 45 discs, are all 154 episodes of the series that won 26 Emmys, including 4 for Outstanding Drama Series. Hail to chief – and to the creators and stars of this ground-breaking series.

  • Amazon Sales Rank: #1055 in DVD
  • Brand: SHEEN,MARTIN
  • Released on: 2006-11-07
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: Closed-captioned, Color, DVD, Widescreen, NTSC, Box set
  • Original language: English
  • Subtitled in: Spanish, French
  • Number of discs: 45
  • Dimensions: 4.95 pounds
  • Running time: 42 minutes

Features

  • The West Wing ventured where no other TV series had gone before: an extraordinarily intimate look at an American President and the inner workings of the White House. Experience all the crises, triumphs, lofty idealism and hard realities of the acclaimed series in this complete seven-season DVD set. Here, on 45 discs, are all 154 episodes of the series that won 26 Emmys, including 4 for Outstanding

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Customer Reviews:

No English subtitles, packaging scratches disks4
The West Wing is by far the best television series I’ve ever seen. 5 stars for that. However this set, although nice to look at, has too many flaws for me to recommend it very highly. 3 stars for this set.

My main gripe is that there are no English subtitles. Why not? There is plenty of space on the disks and subtitles don’t take up that much. The gain would be far greater than the cost!

I often have to rewind episodes three or four times to catch a phrase that I can’t quite make out hearing the first or second time. There is often so much background noise (sirens, crouds, music, etc) that one can’t make out all the brilliant dialogue by only listening to the audio.

The UK editions have English subtitles, so why can’t the American versions?

Another gripe is the packaging. While it is very nice to look at on the shelf, cleverly designed with file folders holding each season, it is impractical and scratches the disks! The folders are hard cardboard and the slits (not even lined with felt or soft material) are so narrow you have to really press the disks in, damaging and scratching them up!

The UK boxed set uses 22 slimline DVD cases, holding two discs each, all packaged within season-by-season slip cases.

I recommend paying a little extra and ordering the UK version instead: ASIN B000I8OC08 on Amazon.co.uk. It has the same 21+ hours of extras this set has so you won’t be missing anything except the booklet and script, which frankly doesn’t add much value.

westwing the complete series2
Wow, what a joy it was to actually get my hands on this wonderful series.
It is everything I thought it would be, except that after season four, English subtitles are no more. Being a hearing impaired person, I was very very disappointed to find this out. The booklet never said…interestly the Individual box sets have English sub titles…So, If you’re hearing impaired or deaf, buy the box set individually….it is a good series thought…

How much do you really like the series?4
There is no question in my mind the “The West Wing” was one of the greatest drama series on television ever. And if you’ve been holding out on buying the DVDs until this box set was released then I would suggest you part with some cash immediately. The issue for a lot of people reading these reviews, however, is going to be whether or not they are going to want to replace individual box sets with this release. I’m not going to suggest to you what the best move is, although in the next few days you’re going to see my box sets on sale, but this is really a decision on whether or not you want a beautifully packaged set. That is what this is. The ‘leather’ folder the disks come in is perfect in terms of design for this series. The two ‘books’ that the set contains are glossy, and the pictures are beautiful. It is also a welcome change to see seasons 1 to 4 discs one -sided as opposed to the previous release. The individual folders that the disks here come in are sturdy enough and again well designed. However, I can’t spot any additional extras on the discs. The foreward by Aaron Sorkin also isn’t new – it’s taken from the first Scriptbook that was released. So if you are a Wingnut, chances are you’ve seen everything here before and as I said it really comes down to the packaging and the fact that you were going to buy Season 7 anyway so why not splurge on this. I’m giving it 4 stars as opposed to 5 because I can’t quite forgive the makers for Season 5 and also because it would have been nice of them to include something extra for the Wingnuts here considering it is us who are really going to be purchasing this set.

On the DVDs
A prestigious, award-winning drama series like The West Wing deserves first-class treatment on DVD, and the Complete Series Collection really delivers the goods. Like the series itself, the packaging is first-class all the way. The entire DVD set is held in a dossier file box, with a faux-leather navy blue exterior graced with an embossed silver-foil presidential seal and a magnet-sealing flap that neatly closes the lid with no visible latches or clasps. The 45 DVDs are held in seven individually tabbed and numbered fold-out files (one for each complete season) with a pocket for each DVD and West Wing cast members pictured on each fold-out file. (In addition, the DVDs themselves are labeled with a photo of the entire primary cast.) And while the audio commentaries, behind-the-scenes featurettes, gag reels, and other DVD extras remain the same from the previous individual-season DVD sets, the glossy, lavishly illustrated episode guide is exclusive to this set, and it’s a convenient one-stop source for specific episode information. Also exclusive to this set is Aaron Sorkin’s Emmy-nominated teleplay for the pilot episode, along with a new foreword by Sorkin detailing the genesis of the series from concept to casting. You can bet that Sorkin and his West Wing colleagues are pleased with the overall presentation of this full-series collection; it’s durable, impressively stately without being ostentatious (like President Jed Bartlet himself), and guaranteed to look great on any bookshelf. –Jeff Shannon

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Download Armageddon Blu-ray for Xbox 360, wii, PSP, PS3, iPod, iPad, iPhone, and Blu Ray

Thursday, July 29th, 2010

DVDArmageddon Blu-ray

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From the mega-hitmakers who produced and directed The Rock and Pearl Harbor comes Armageddon. And now, these mind-blowing action-adventure explodes on Blu-ray for the first time ever! Bruce Willis (Surrogates, Sin City) and Academy Award winners Ben Affleck (1997, Best Original Screenplay, Good Will Hunting) and Billy Bob Thornton (1996, Best Adapted Screenplay, Sling Blade) head an all-star cast that incudes Liv Tyler (The Lord of the Rings trilogy), Steve Buscemi (Con Air) and Will Patton (Gone in 60 Seconds). When NASA’s director (Thornton) realizes the Earth has 18 days before it’s destroyed by a metor the size of Texas, he has only one option; land a ragtag team of roughneck oil drillers on the asteroid and drop a nuke into its core. With spectacular special effects, laugh out loud humor, a riveting story and a rockin’ soundtrack featuring Aerosmith and Bon Jovi, this adrenaline-pumping thrill ride now boasts the staggeringly intense picture and incomparable theater quality sound of Blu-ray high definitition. Bonus Features include: Aerosmith’s music video I Don’t Want To Miss A Thing, theatrical trailer, teaser trailer.

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Customer Reviews:

Excellent collection of material5
The Criterion Collection release of Armageddon is a treat. It offers 2 commentary tracks, one featuring the director Michael Bay, actors Bruce Willis and Ben Affleck. Producer Jerry Bruckheimer has comments on several interesting things. Affleck’s commentary is sometimes very funny. The other commentary track features the Director of Photography and special effects people.

The commentary includes interesting details, including background information on the characters and filming locations. Note: The commentary is raw and sometimes laced with profanity, although the movie itself is rated PG-13, for reasons explained in the commentary.

Although it’s not much, this collection is also a Director’s Cut and has a couple scenes added, notable of which is Harry Stamper’s character visiting his father before launch. Some other scenes are cut slightly differently, adding some depth to the story.

The Gag reel on the second disk is extremely funny, raw, and not your typical “behind-the-scenes” documentary.

The second disk also features a tremendous amount of information on the special effects and includes many different trailers and promo material. The Aerosmith song video is also included.

While the story can be nit-picked, it’s still very exciting and enjoyable.

Overall, if you liked the movie, the Criterion Collection release is the DVD to have.

an incredible release by Criterion4
This review is for the Criterion Collection DVD edition of the film.

This is the largest packed special features release by criterion to date at the time of release. Being the case, both the film and the special features will be reviewed.

The film is about Earth being threatened by an asteroid that would cause the end of every life on Earth. There are some opening scenes of a metoer shower over New York City.

Chapter 3 on the DVD is one that some may want to skip. There are two scenes that may hit too close to home for some people. In one scene, a meteor is shown hitting the World Trade Center, and in another scene shows the World Trade Center with the top ¼ of one of the towers destroyed and the rest of it on fire.

The film has good acting with an all-star cast. The movie has some excellent special effects. The film has many errors though. there are too many to mention in less than 1,000 words.

The Criterion edition is a director’s cut with scenes not shown in theaters.

The special features are really good. There are 2 discs in this set one of which only has special features. Disc 1 has TWO aduio commentaries. One is with director Michael Bay, actors Bruce Willis and Ben Affleck, and producer Jerry Bruckheimer. The other is with cinematographer John Schwartzman and two scientific consultants. one from Nasa and the other an asteroid expert.

On disc two, there are deleted scenes, outtakes and blooper reel, (You may want to note that the blooper reel contains profanity rarely heard even in some R rated films and will offend some people.), Storyboard images, analysis of Visual effects and production design, Trailers and TV spots, and the music video of the song “Don’t want to miss a thing” by Diane Warren and performed by Aerosmith.

Overall this is high quality and is one of the more well-known films that have been given the Criterion treatment.

Relax and enjoy one of the best films of 19985
I don’t belong to the apparent elitists who despise Michael Bay’s filmmaking because he’s entertaining for it’s own sake. Michael Bay is what he is the same as Hitchcock directed psychological thrillers or George Lucas directs science fiction. He makes films that are loud, fast, action-packed and quite frankly, fun to watch. Isn’t that what movies are supposed to be about?

Armageddon was probably the most (other than maybe Saving Private Ryan) anticipated movie of 1998. I’d rank it in my top two or three of 1998 (The others being Saving Private Ryan and American History X). It’s not the next Schindler’s List and it doesn’t strive to be. It stars Bruce Willis, Billy Bob Thornton, Ben Affleck and Liv Tyler in the main roles. The supporting cast is underrated, well-balanced and fun to watch, from Michael Clarke Duncan and Steve Buscemi down to lesser know actors Marshall R. Teague and Jessica Steen.

Yes, the plot and premise may not be the most believable. But neither is King Kong, Lord of The Rings, Star Wars or whatever. These pseudo-critics on Amazon.com whine about “poor science” behind the movie, or the poor plot or the stereotypical cast. You know what? Who friggin’ cares? It’s a movie that’s made for sheer fun, for entertainment, for bringing your family to enjoy a couple of hours of action, thundering explosions, fast vehicles and a little romance. Armageddon, despite what the Ebert and Roeper apprentices in here think, is entertainment at its best. Stop whining and enjoy yourself.

We are all familiar with the story by now. An asteroid the size of Texas is on path to impact with Earth, which would destroy all forms of life on it. The world only has 18 days until impact. The only way to stop it is to blow it up from the inside by drilling to its core. For that, NASA recruits the worlds’s best deep-core driller in Harry Stamper (Bruce Willis) and his renegade drilling crew. The crew, along with some NASA astronauts and an unlucky Russian cosmonaut, journey to the asteroid and embark upon the mission to destroy it and with that, save the entire planet.

Along the way, the crew endures despite losing lives, having to overcome huge obstacles, and having to make decisions that will affect not only the world but their own personal lives. The movie is filled with a few emotional moments that will bring tears to some eyes. The score is grandiose and is a large part of the film. The film strives to be patriotic and the cinematography reflects it. I couldn’t help but feel patriotic and moved while watching the movie. The sound and visual effects in the movie were awesome, which its four Oscar nominations reflect.

This movie is a lot of things. It’s fun, it’s moving, it’s sad and it’s romantic. Above all, it’s one of the more entertaining movies I have seen. The cast had a lot of chemistry together and seemed to have a lot of fun which is reflected in the film. This was Ben Affleck’s first big box-office action movie and he gives a good first effort. Bruce Willis takes on the role of Harry Stamper with ease like the action movie veteran he is. Liv Tyler is sweet as Harry’s daughter and their emotional goodbye is to be remembered. (Home theater aficionados will also appreciate the visual and sound effects in this movie).

Armageddon was the second-highest grossing film of 1998 narrowly behind Saving Private Ryan. That might be something for critics to think about, because obviously A LOT of people saw this movie. All in all, don’t listen to the critics here trying to become the next “Top 500 reviewer.” See the movie, it’s a blast.

B0036EH3TS

Amazon.com essential video
The latest testosterone-saturated blow-’em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood’s millennium-fueled fascination with the destruction of our planet. There’s no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies–loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay’s protagonists–the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth–are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they’re American cowboys turned astronauts. Sci-fi buffs will appreciate Bay’s fetishizing of technology, even though it’s apparent he doesn’t understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it’s mindless fun; it’s only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly–African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French … if it’s not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females–four if you count the meteor, who’s constantly referred to as a “bitch that needs drillin’,” but she’s a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay’s film creates some tension and contains some visceral moments, but if he can’t create any redeemable characters outside of those in space, what’s the point of saving the planet? –Dave McCoy

Amazon.com
The latest testosterone-saturated blow-’em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood’s millennium-fueled fascination with the destruction of our planet. There’s no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies–loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay’s protagonists–the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth–are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they’re American cowboys turned astronauts. Sci-fi buffs will appreciate Bay’s fetishizing of technology, even though it’s apparent he doesn’t understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it’s mindless fun; it’s only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly–African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French … if it’s not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females–four if you count the meteor, who’s constantly referred to as a “bitch that needs drillin’,” but she’s a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay’s film creates some tension and contains some visceral moments, but if he can’t create any redeemable characters outside of those in space, what’s the point of saving the planet? –Dave McCoy

From The New Yorker
“The Right Stuff” meets “The Dirty Dozen” in a frenzy of special effects and ear-shattering detonations. An asteroid “the size of Texas” is speeding toward our fair planet, and unless it’s nuked within eighteen days we’ll all be saying good night, world. NASA’s executive director (Billy Bob Thornton) devises a plan to drill a hole in the asteroid and blast it from the inside. Enter Bruce Willis, as Harry S. Stamper, “the world’s best deep-core driller” and a maverick with a heart of patriotic mush. Harry recruits a crew of roughnecks, including A.J. (Ben Affleck), a hot-rodder who’s in love with Grace (Liv Tyler), Harry’s babe of a daughter, and Rockhound (Steve Buscemi), who likes hanging out with strippers. Willis, with his imperturbable gaze and incessant little smirk, doesn’t seem a natural choice for even a scruffy hero like Harry, but Affleck demonstrates a sexy Paul Newmanish charm and is clearly bound for stardom. The surprisingly witty script was worked on by a squadron of writers, including Robert Towne. -Daphne Merkin
Copyright © 2006 The New Yorker

Armageddon Blu-ray Description:

  • Amazon Sales Rank: #52 in DVD
  • Released on: 2010-04-27
  • Rating: PG-13 (Parental Guidance Suggested)
  • Aspect ratio: 2.35:1
  • Formats: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
  • Original language: English
  • Subtitled in: English, French, Spanish
  • Dubbed in: French, Spanish
  • Number of discs: 1
  • Running time: 150 minutes

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